|
|
176.
|
|
|
Kate Coleman explores the idea of using metaphors for portfolio work in her `PhD thesis <https://www.artographicexplorations.com/metaphor-and-metonymy.html>`_.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:40
|
|
|
177.
|
|
|
Would you use any of these metaphors? Do you have your own?
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:42
|
|
|
178.
|
|
|
The gallery or museum
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:47
|
|
|
179.
|
|
|
.. image:: images/portfolio_metaphor_gallery.* 
:alt: The gallery or museum metaphor |
|
|
represents a line break.
Start a new line in the equivalent position in the translation.
|
|
|
represents a space character.
Enter a space in the equivalent position in the translation.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:52
|
|
|
180.
|
|
|
The gallery or museum metaphor
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:52
|
|
|
181.
|
|
|
This metaphor is used by `Mandia Mentis <http://www.massey.ac.nz/massey/expertise/profile.cfm?stref=316430>`_ at `Massey University <http://www.massey.ac.nz/>`_ in New Zealand. She shared her idea in the `Mahara Newsletter January 2018 <https://mahara.org/artefact/artefact.php?artefact=434513&view=36871>`_.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:55
|
|
|
182.
|
|
|
The **basement** is the common storage space of all the artefacts that the gallery owns or has leased. Artefacts are organized and catalogued to be found later on when they are needed. A **curator** may shuffle artefacts around and add new ones as they come in. There is constant movement as artefacts are acquired, catalogued, brought up to the gallery for an exhibition, or returned to storage when a particular exhibition has finished.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:57
|
|
|
183.
|
|
|
The different **media** are used as artefacts. They can be text, images, audio, video, sculptures, or a mix of them.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:59
|
|
|
184.
|
|
|
The **exhibition spaces** can be small or large and are centred around a common theme each. The curator selected the artefacts to be shown carefully for the story that they want to tell. Not all artefacts that the gallery owns on a particular topic are exhibited so as not to overwhelm the viewer. Sometimes only one or two pieces represent a larger body of work.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:61
|
|
|
185.
|
|
|
The curator provides **insight into the collection** by adding explanatory notes, meta information, and also interpretation to the artefacts for the viewer to be guided through the exhibit and made aware of the differences between the artefacts.
|
|
|
|
|
(no translation yet)
|
|
|
|
Located in
../source/intro/introduction.rst:63
|
