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207.
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In the **backstage** area, projects are discussed and conceptualised, changed, and finalised. A team is often involved in these processes giving feedback, and inviting newcomers / apprentices to try things out and learn from more experienced staff.
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(no translation yet)
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Located in
../source/intro/introduction.rst:102
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208.
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Depending on the director, a performance in one theatre may vary widely from that in another as a play can be **interpreted** many different ways, kept in its classic form, modernised or completely re-imagined. It is up to the company to settle on their interpretation and the way forward, which can include changes to the language, the mood, the back drops, and props used during the performance.
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(no translation yet)
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Located in
../source/intro/introduction.rst:104
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209.
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The backstage is only **accessible** to a group of authorised staff. Outsiders need a pass to be invited into this space.
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(no translation yet)
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Located in
../source/intro/introduction.rst:106
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210.
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**Rehearsals** play a fundamental role when preparing for a performance as they give the performer the time to practice their art, receive feedback from a teacher or also peers. They can practice in a safe space that is not accessible to an audience and thus don't have to fear premature comments that would only be based on a small extract of the performance rather than its entirety.
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(no translation yet)
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Located in
../source/intro/introduction.rst:108
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211.
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Once the performance is deemed to be ready to be shown, often a **dress rehearsal** is scheduled to invite a select group of people for feedback and giving the troupe a chance to make final adjustments before the show is taken live.
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(no translation yet)
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Located in
../source/intro/introduction.rst:110
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212.
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Many **different performances** can take place within a building attracting different audiences, which in turn have different experiences that they bring to the events and see them through different eyes.
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(no translation yet)
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Located in
../source/intro/introduction.rst:112
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213.
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Some performances may require an **entrance fee** whereas others can be free. Some may also invite people to participate more fully in the performance itself rather than only sit and watch.
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(no translation yet)
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Located in
../source/intro/introduction.rst:114
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214.
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In Mahara this translates to:
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(no translation yet)
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Located in
../source/intro/introduction.rst:116
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215.
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Backstage: Artefact upload and creation and portfolio setup space before the learning evidence is shared with a wider group; portfolios can be created by individuals or in groups collaboratively.
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(no translation yet)
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Located in
../source/intro/introduction.rst:118
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216.
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Interpretations: Personalisation of each portfolio author in how they want to display their learning evidence, reflections, etc.
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(no translation yet)
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Located in
../source/intro/introduction.rst:119
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